Blowing Away

In Tom’s Words:
This opening track is a straightforward break up song about dusting yourself off, walking away from a toxic relationship, and reclaiming your own strength and independence. I love the soulful sax interpretation Alex Milsted brought to this song to elevate the whole vibe.

The Good Way Home

In Tom’s Words:
The title track of the album is a heartfelt thank-you note to my adult children who lifted me up through a rough patch in my life and reminded me of what truly matters. To me, the “home” isn’t a physical place with a roof and four walls; it’s the relationships we build with family or other special people who make you feel safe and loved.  

Last Train Out of Town

In Tom’s Words:
I wrote this one as a bit of a wakeup call about climate change and the frustrating disconnect between solid science and the folks who choose to ignore it. Musically, though, it’s a fun, driving 12-bar blues shuffle featuring some cool harmonica work by Dan Kaufman. And Jenni and Amanda Price, (writing and performing as the brilliant “Acoustic Minds”), layered in some gorgeous harmonies with a call-and-response style, and I threw in a guitar solo of my own.

Everything

In Tom’s Words:
This one leans into the protest song tradition tackling the heavy weight of greed and power against the steep cost and frustrations of fighting for equal justice when you’re just trying to keep up with everyday bills. We gave it some energy in the studio with some fun percussion, handclaps on the chorus, and a few multitrack guitars parts I laid down myself.

Finally Over You

In Tom’s Words:
My favorite Bob Dylan tune is Don’t Think Twice, It’s Alright and that’s the spirit behind this track. It’s a breakup song that looks back and says “hey, it’s over, and I’m completely ok with that.” It turned out a bit more of country than I originally planned but I’m happy with how it turned out. We swapped out the bass guitar for a stand-up acoustic bass that gave the song a richer, earthier heartbeat.

Bells

In Tom’s Words:
I wrote this one for my son and his fiancé (who I’m proud to call my daughter-in-law, now) for their wedding day. The beautiful, sweeping strings were brought to life by Eri on violin, Nik on cello, and Alberta on viola, with some wonderful scoring help from Chris Thomas. For a little extra magic, we tacked on the sound of church bells and songbirds at the very end.

Tell Your Story

In Tom’s Words:
Yep, another breakup song – but this one is a celebration backed up by an upbeat sax that captures the genuine joy and excitement of turning the page and moving on to a brand-new life. It also expresses a little bit of lingering sass for an ex who keeps spinning tales nobody is buying, only to find that they’re stuck with themselves.

Bring Me the Moon

In Tom’s Words:
This is a deeply personal song written for someone I deeply love who was nearly taken from me in a terrible car accident. Thankfully, they recovered. The metaphor of the sun and the moon is pretty obvious.  It took me a while before I could sing this track in the studio without my voice cracking.

Emma

In Tom’s Words:
A simple, sweet love lullaby written straight from the heart for my granddaughter.

All You Need to Do

In Tom’s Words:
This is a love story about an estranged couple who take a step back, realize now how devoted they still are to one another, and decide it’s not too late to mend the fences. We had some fun in the studio experimenting with some virtual musical features, adding some unique textures like a muted trumpet and – of all things – a glockenspiel.

Sing a Song for Me

In Tom’s Words:
I wrote this song for another granddaughter one night after babysitting her one evening.  She’s usually a little ray of sunshine, but on this particular night, she was a bit grumpy. So, I put together a tune just for her about the power of positive thinking and the pure joy you can find in music.

I Believe in You

In Tom’s Words:
This is an unapologetically upbeat, maybe even a little cheesy, celebration of forever love and backing each other up through thick and thin. The lyrics might be sweet enough to make you gag a little bit, but I particularly enjoy the guitar intro and the way the chord progressions should sweep you up.

World Going Down

In Tom’s Words:
The lyrics to this one are about as dark as it gets, but the music was a hell of a lot of fun to play with a band. It’s a gritty 12-bar blues progression with some aggressive guitar work up front and a killer sax solo in the middle. I wrote it one night after watching consecutive news reports detailing one senseless act of violence after another. Frustrated and angry, I grabbed a bottle of Irish whiskey and my guitar, holed up in the den, and stayed awake until dawn chasing this thing down.

I’ll Be There

In Tom’s Words:
A love song, pure and simple, that I wrote for my wife and played at our wedding. We should all be lucky enough to find a love that makes us feel this way.

Stand Your Ground

In Tom’s Words:
As some of you might guess from the title, this song was born out of raw frustration and grief following the tragic death of Trayvon Martin.  I wanted the music to mirror that weight, so I aimed for a haunting melody, a heavy cello interlude between verses, and a stark, dissonant ending chord.  I am incredibly grateful to the string section for capturing the sound that I heard in my head.

Wanderlust

In Tom’s Words:
During the pandemic, so many couples found themselves on opposite sides of a coin – either forced apart when they needed each other most or trapped under the same roof long after the spark had died. This song is about that quiet, aching search for whatever it is that feels missing in so many of our lives. 

CREDITS

The Good Way Home Cover Art

The Good Way Home

Tom Sand

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